Nope, just a flash, a soft box and some photoshop :) I wanted to capture my daffodils but was having a hard time outside with this horrid wind we've been having. Not complaining as it's basic spring weather, just makes photography tough outside. So I came inside and used a simple cloth backdrop and my flashes. The photoshop comes in post production and turns the color information B&W, adds contrast and balances the lights and darks. I try to only do in photoshop what you would be able to do in the darkroom. The 1st & 2nd photos are with the 550 EX Speedlight on a Canon 5d Mark II, ISO was 400, F/5.6, and shutter 200. My camera is always set to manual for the most control :).
I have two Speedlights, both Canon, a 270 EX and an older 550 EX. They vary in size from smallest available to biggest, well what was the biggest when I purchased it. I would invest in the 450 EX (the middle) but am currently tapped out money wise. The biggest hurdle when starting a business is to be money wise not money stupid. So that asks the question do I 'need' a 450 EX and the answer is no, I can work with my 2. I am instead adding to my flash accessory stash. I will review and post when I receive them.
The 550 Ex was much higher sitting on the camera and gave a much more shadowed effect than I wanted. To correct this I would need a portable slave (the term used for a flash trigger) mounted on my camera while I posed the Speedlight on a base. See more portable studio effects :) What I am loving about these works is that you can get the studio feel even though this was in my kitchen. I see soft shadows, many tones of both color or grey. I believe I bounce flashed the 2nd photo. The 3rd photo was with the 270 EX and has a much more direct lighting effect as the flash is smaller and closer to the lens. This 3rd photo was taken with a Canon 5D Mark II as well but the 270 EX Speedlight at a ISO of 400, F/5.6, shutter 200.
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